There is also a mock cabin built into the facility, complete with landscape scene from the window and notes taken by naturalists.
The history of citrus industry in Riverside also has a large exhibit.
The rotating exhibit space currently has a display called "Reading the Walls" about a Japanese American family living in Riverside during World War II, the Herada family. This is an excerpt from the exhibit brochure about the family:Under the stewardship of the Riverside Metropolitan Museum, the National Historic Landmark Harada House is among the most significant and powerful civil rights landmarks in California. This site and the story of the Harada family embody local, state, national, and international issues of civil and individual rights, democracy, immigration, assimilation, and citizenship.Reading the Walls: The Struggle of the Haradas, a Japanese American Family tells the nearly 100 year history of one immigrant Japanese family and their quest for the American Dream. That dream was partly fulfilled when their ownership of the home, bought by family patriarch Jukichi Harada in the names of his American-born children, was contested in court in the landmark State of California vs. Jukichi Harada, et al. The Riverside County Superior Court upheld the children’s ownership under the 14th Amendment of the United States Constitution, essentially proclaiming that as natural-born citizens of America they had every right to own property.
Until 1941, the Haradas prospered, operating a series of restaurants and boarding houses in Riverside. Jukichi Harada and his wife Ken watched proudly as their seven children grew and worked and went to school and began families of their own. The realization of their dream was shattered in the aftermath of Pearl Harbor and the advent of World War II. With the signing of Executive Order 9066 by President Franklin Roosevelt, 120,000 Japanese Americans were dispossessed of property and stripped of their civil rights.
Their story is a California story and a truly American story. It is a saga of hardship and struggle to achieve the American promise of freedom, citizenship, and a better life.
Chinese artist Liu Bolin’s Hiding in the City series consists of photographs of himself painted to blend into archetypal street scenes in China. As in his other work, Liu is preoccupied with the meaning of individual identity in modern China after a century of upheaval and constantly shifting national narratives.
What's next people? Perhaps a new take on the goldfish platform shoe? How about the pine cone platform shoe? Am I the only one who thinks this pine cone mania is out of control?
There is a little dinning area, and lots of area rugs to contrast the wood floor.
The kitchen is fairly standard but has lots of Frida Kahlo decor, home made ceramic mugs, pine needle baskets, and a HUGE variety of spices.
The bathroom is mostly green, but with accents of hand painted peacock ceramics.
The sink is probably the best part of this room.
Finally, here are some of the ceramics from the kitchen (slightly out of order).
I'm not sure exactly what it is about the Artist Loft that appeals to me so much; perhaps it's that it all feels so familiar, or that it looks like how I imagine an artist to live. There are some things I would change, like putting the bed in the loft instead of the living room and removing some of the African art; simply because there are other styles I prefer. However, as it stands, this house is in my top five for sure.
